![]() No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. © 2004 Selection and editorial material, Dana Arnold and Andrew Ballantyne individual chapters, the contributors All rights reserved. Other titles available from Routledge Reading Architectural History Dana Arnold What is Architecture? Edited by Andrew Ballantyne Constructing Place Edited by Sarah Menin Architecture – the Subject is Matter Jonathan Hill Actions of Architecture Jonathan Hill This is Not Architecture Edited by Kester Rattenbury Rethinking Architecture Edited by Neil Leach Intersections Architectural histories and critical theories Edited by Iain Borden and Jane Rendell For further information and to order from our online catalogue visit our website at Architecture as Experience Radical change in spatial practiceĮdited by Dana Arnold and Andrew Ballantyneįirst published 2004 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. Hollengreen, Zeynep Kezer, Hélène Lipstadt, Christine Macy, Elizabeth Marlowe, Donald McNeill, Nancy Stieber, Deborah E.B. Contributors: Sarah Bonnemaison, Susan M. Andrew Ballantyne is Professor of Architecture and Director of the Centre for Tectonic Cultures at the University of Newcastle upon Tyne. Dana Arnold is Professor of Architectural History and Director of the Centre for Studies in Architecture and Urbanism at the University of Southampton. Theoretically informed essays and good illustrations provide a valuable resource for a range of readers from academics and students to the interested general audience. ![]() Architecture as Experience explores concepts such as heritage, authorial intentions, ethnocentric or class viewpoints, literary and scientific analyses as well as instances where one culture has been overtaken by another. ![]() The results are often surprising, because we tend to have an idea of a historic place as having an enduring meaning, so it can be rewarding to learn about earlier constructions of meaning that involve the same building. Each chapter establishes the continuity of a particular place under discussion and shows it in at least two different historical perspectives, in which recognizable features are shown to offer different experiences of architecture and space. Landscapes, buildings and urban environments are reconfigured in incommensurable ways by different groups, with their own particular identities, concepts and preoccupations. Architecture as Experience looks at how many places are perceived and understood across intervals of time and culture.
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